P. Eldridge is a curator, writer, and cultural agitator working between London and so-called Australia.
She is the Founding Editor of SISSY ANARCHY – most recently featured at the 60th Venice Art Biennale – Director of Worms World C.I.C., and Co-Founder of The Compost Library; platforms dedicated to unruly voices, queer resistance, and experimental writing.
She is the ‘SISSY’ columnist for Gay Times, a monthly digest that takes readers through the trenches of the heart (and body) with candour, precision and care.
In 2025, she was announced as artist in residence at the 2025 Amnesty Amplify Summit in collaboration with Amnesty International UK, and activist partner working together to distribute the Trans Inclusive Bathroom Access Initiative Stickers designed by SISSY ANARCHY.
Her work has appeared in Flash Art, Studio Magazine, Gay Times, Worms Magazine, and more, and she has interviewed artists and thinkers such as Judy Chicago, Juliana Huxtable, Shon Faye, Cortisa Star, and Torrey Peters.
She has edited writing by Chris Kraus, Anne Rower, Estelle Hoy, and Octavia Bright, and her practice has been featured in DAZED, Service95, AnOther, Trippin, and La Fomo.
She has hosted and curated events at ICA London, Young Space, Housmans Bookstore, and Rich Mix (for Queer! Fringe and Arts Film Festival).
Recent project collaborations include Amnesty International UK, CIRCA Art, Picador Books, Serpentine Gallery, The Barbican, Victoria and Albert Museum, Camden Art Centre, Studio Wayne McGregor, Maximilian William, Sadie Coles, Darwin Festival, Supercell Festival, and Bleach Festival. Most recently, she was a panelist at the inaugural Trans Book Festival in Naarm, Melbourne.
Her practice is a soft weapon, a sharp tenderness carving space for queer embodiment, refusal, and new ways of living.
Most recently: Performing the Grotesque: Trans and Gender Nonconforming Artists and the Aesthetics of Bodily Excess for Flash Art.
About
Bio
Writing
SISSY (a column for Gay Times)
Publishing
Contact
Trans Inclusive Bathroom Sticker
Read the Substack
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